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In our chaotic world of co-opted imagery, does art still have power?
A fog of images and information permeates the world nowadays: from advertising, television, radio, and film to the glut produced by the new economy and the rise of social media . . . where even our friends suddenly seem to be selling us the ultimate product: themselves.
Here, Nato Thompson—one of the country’s most celebrated young curators and critics—investigates what this deluge means for those dedicated to socially engaged art and activism. How can anyone find a voice and make change in a world flooded with such pseudo-art? How are we supposed to discern what’s true in the product emanating from the ceaseless machine of consumer capitalism, a machine that appropriates from art history, and now from the methods of grassroots political organizing and even social networking?
Thompson’s invigorating answers to those questions highlights the work of some of the most innovative and interesting artists and activists working today, as well as institutions that empower their communities to see power and reimagine it. From cooperative housing to anarchist infoshops to alternative art venues, Seeing Power reveals ways that art today can and does inspire innovation and dramatic transformation . . . perhaps as never before.
- Sales Rank: #483381 in Books
- Published on: 2014-12-12
- Released on: 2015-08-18
- Original language: English
- Number of items: 1
- Dimensions: 8.53" h x .70" w x 5.73" l, .81 pounds
- Binding: Hardcover
- 176 pages
Review
Praise for Seeing Power
“Like an updated version of John Berger’s groundbreaking Ways of Seeing, Nato Thompson’s Seeing Power delivers a smart, accessible introduction to the prevailing artistic predicaments of our time. Written by one of our leading public intellectuals, it covers a wide range of key issues from the cultural politics of Occupy Wall Street; to the use and abuse of accumulated social capital; to the perennial antagonism between sophisticated cultural ambiguity and didactic, artistic impact. Seeing Power is a twenty-first-century user’s manual for the social responsible artist, critic, and curator.”
—Gregory Sholette, author of Dark Matter: Art and Politics in the Age of Enterprise Culture
"A�thought- provoking manifesto on the artist’s position within a system where making money is inextricably linked to producing culture...Seeing Power�isn’t only for artists and activists. It is for anyone willing to re-think their consumer habits and ready to identify the power structures that heavily influence our day-to-day behaviours."�
—Peace News�
Praise for Experimental Geography
“Living in cities, we need a new way to think about how we move and what we notice . . . This strange, exciting book offers just that—a new way to notice public space. It is the brainchild of Nato Thompson: the results of his fascinations with urban planning post-Katrina, abandoned or unnoticed urban landscapes and public art.”
—Susan Salter Reynolds, Los Angeles Times
“What could be more delightful—and unsettling—than turning loose a group of contemporary surrealists, disguised as vagabonds and artists, in the ripe fields of the hyperreal? Experimental Geography isn’t about space; it is about terminal strangeness.”
—Mike Davis, author of Ecology of Fear and City of Quartz
“Another step in the ongoing quest for social energies not yet recognized as art . . . exploring the politics and infrastructures that can either change or stall the world.”
—Lucy Lippard, author of The Lure of the Local
About the Author
NATO THOMPSON is a writer and curator whose work primarily focuses on the intersection of art, politics, and the city. He has curated numerous large-scale exhibitions and projects both at the public arts institution Creative Time, where he is chief curator, and as a Curator at MASS MoCA. He is the editor of The Interventionists: A Users’ Manual for the Creative Disruption of Everyday Life, and author of Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism (Melville House), and Ahistoric Occasion: Artists Making History. He lives in Philadelphia.
Most helpful customer reviews
4 of 4 people found the following review helpful.
How artistry and activism can help create a better world
By Malvin
“Seeing Power” by Nato Thompson intelligently explores the meaning of art and activism as tools for social change. Mr. Thompson is a brilliant young art curator and an organizer with the activist art group, Creative Time. This well-written book will appeal to everyone who has ever pondered how we might join the imagined with the real to create the world we want.
Mr. Thompson knows that the corporate media (film, television, video games, radio etc.) have defined how most people have come to understand art today. However, the fine arts community is dependent upon these same connections to wealth, power and privilege. For that reason, the author believes that artists whose works are politically ambiguous tend to be more richly rewarded through the gallery system; whereas artists whose didactic messages make all too clear their political intent are not always valued. The implication is that politically-engaged artists must learn how to interrogate the social beyond the walls of the gallery system.
In fact, Mr. Thompson contends that our understanding of art is made as we experience the world around us. The author believes that Occupy Museums in 2011 illustrated how activism can successfully challenge the programming and funding practices of an elite institution. However, the author feels that artists must connect with the struggles of people whose communities have been impoverished by corporate economics and culture. Artistry joined with activism can help create a better world.
On that point, Mr. Thompson brings the discussion to life with many interesting examples of socially-engaged art. For example, the author himself had a role in organizing a performance of Waiting for Godot in the traumatized Lower Ninth Ward of post-Katrina New Orleans. He cites the performance artist Tania Bruguera as an example of “useful art” whose politics have drawn attention to the struggles of immigrant families in Queens, New York. I was also intrigued by the author’s description of the United Victorian Worker’s protest in 2005 that succeeded in confounding reality and performativity while highlighting age-old issues of labor, gender and justice.
I highly recommend this excellent book to everyone.
2 of 2 people found the following review helpful.
Best of all though is the excitement
By Robyn Haultain
This is an exceptional book. Complex ideas clearly set out in very readable prose. Best of all though is the excitement, the hope and the inspiration for those of us who make work with the fervent wish that our work will be a part of a crucial dialogue about the world we want to live in. I love Thompson's inclusion of the importance of conviviality in the process of us working at "the intersection of art and politics". Dont just read it - do it!
1 of 1 people found the following review helpful.
a powerful and cogent thesis for seeing and participating
By Kathryn Simon
Once in a while a book is written that sees deeply and clearly into the forces at work on and below the surface. We live in complicated times where things appear one way but scratch the surface another face appears. Nato has managed to layout an argument that parses some of the complexities affecting art and the forces that crease art. I believe this book is a powerful and cogent thesis for seeing.
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