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Set in Vienna on the eve of World War I, this great novel of ideas tells the story of Ulrich, ex-soldier and scientist, seducer and skeptic, who finds himself drafted into the grandiose plans for the 70th jubilee of the Emperor Franz Josef. This new translation includes material that remained unpublished during his lifetime.
- Sales Rank: #8753074 in Books
- Published on: 1995
- Binding: Hardcover
- 752 pages
- WWI
- Austria-Hungary
- in Translation
- Emperor Franz Josef
- Great Ideas
Most helpful customer reviews
180 of 191 people found the following review helpful.
Essential Reading
By Manuel Haas
Like Thomas Mann's "Magic Mountain", this immense book aims at giving an overview of the ideas of its time. Musil is a more precise thinker and stylist than Mann, and "The Man Without Qualities" has a lot more to offer than Mann's book.
There are two opposing tendencies in the novel: On the one hand, Musil offers a highly entertaining satirical portrait of Austria-Hungary right before the First World War. His detached hero Ulrich meets all kinds of bizarre people, who happen to be members of the ruling class of the country. Like a vivisecteur, Ulrich analyzes the philosophies and ideologies of his time. On the other hand, he dreams of a kind of new mysticism, an emotional purity that is opposed to the dross surrounding him; together with his sister he embarks on quest for "the other state of being". Musil never finished the novel, he died before he could achieve a conclusion; which may have been impossible anyway.
This gigantic torso of a novel is arguably the greatest novel of the century. I have not yet come across anything that could rival it. Musil's prose is so precise that after reading a few pages you feel that your mind has been refreshed and cleared. This is not a novel to be read in a few days, but even if you never manage to finish it, you will always come back to it.
155 of 166 people found the following review helpful.
Wilkins and Kaiser gave us a great novel: this translation is a wet blanket
By Mark Krol
When I read the old translation by Eithne Wilkins and Ernst Kaiser, I judged 'The Man Without Qualities' to be one of the 10 greatest novels of all time. I bought this new translation with excitement, imagining an even better version by Sophie Wilkins and Burton Pike. As soon as the novel arrived, I started reading. After total boredom from the first 400 pages, I put it down blaming myself for this outcome. I returned to it six months later, with determination to rediscover the great novel I'd read 10 years ago. Again I was bored. Today, I opened the old translation along with the new. I searched for passages that I'd underlined with awe 10 years ago, and compared them with the new translation. Here is an example: (The old)"You people are in such a hurry. There always has to be a goal, an ideal, a programme there for you - something absolute. And what comes of it in the end is only a compromise after all, an average." versus (The new) "You and your friends - always jumping the gun. There's always got to be a supreme goal, an ideal, a programe - an absolute. Yet in the end, all that ever comes of it a compromise, some common denominator." The clarity and dramatic power of the former is replaced with soapy mush. How can Musil compete with Joyce and Proust when the new translation fails to connect to minds attuned to reading Shakespeare, Kafka, Cervantes and Tolstoy? Great literature lodges in the mind with the clarity of rhetorical force. It does not slide around like soap over marble. If you want to believe that Musil was one of the great novelists of the 20th century, then ignore the new translation and find the superior, alas incomplete, old one in a second-hand bookstore.
62 of 64 people found the following review helpful.
Helpful Comparisions
By Professor Nobody
Like the infamous Proust translation by Moncrief and Kilmartin of Remembrance of Things Past, The Man Without Qualities is famous for and exists today because of the labor of the original translators.
Upon reading The Man Without Qualities I was swept up and lost in the tide of the prose, I simply could not stop reading it. Readability is something one doesn't often think of when considering classic foreign novels, one thinks of slow ponderous prose and intense philosophical repose that is dry and too descriptive. Oddly, this is what the new translation is, while the original is divergently witty and full of curiosity and clarity.
Granted, both translations contain the same thoughts, characters and themes. One cannot just toss one aside while fawning over the other. The new edition is indeed more complete a book than the old, but its sacrifice is apparent in how it carries the reader along.
Thus two excerpts: One from the old translation, and the same passage from the new.
"Perhaps not all of these people believe in that stuff about the Devil to whom one can sell one's soul; but all those who have to know something about the soul, because they draw a good income out of it as clergy, historians or artists, bear witness to the fact that it has been ruined by mathematics and that in mathematics is the source of a wicked intellect that, while making man the lord of the earth, also makes him the slave of the machine."
"Most of us may not believe in the story of a Devil to whom one can sell one's soul, but those who must know something about the soul (considering that as clergymen, historians, and artists they draw a good income from it) all testify that the soul has been destroyed by mathematics and that mathematics is the source of an evil intelligence that while making man the lord of the earth has also made him the slave of his machines."
Note the differences and make your own decision. For me, the poetry and majesty of the original is lost. It is no longer clear and precise either. In updating Musil, they lost the power along the way.
To quote the original translation in summation:
"We have gained in terms of reality and lost in terms of the dream."
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